A U N
T B E L L A D A Y
By M.
Jane Hill
unt
Bella sat in her room, gazing out the broad plate glass
window. The setting sun outlined her upper body and shone
through the white wisps of hair pulled back on her head.
"Aunt
Bella," I said, feeling as uncomfortable as always. She
didn’t move, but stared at the green lawn below. "Aunt
Bella," I repeated, crossing to her. "Here, Aunt
Bella." I handed her the flowers I’d brought, the long
stalks bearing the brightest of reds, the blooms intense and
passionate.
She turned, looked
quizzically at the bouquet, and took it hesitantly. Then she
looked at me.
"Why thank you,
Miss," she said. She contemplated the flowers while I
stood at attention, the elevator in my gut plunging to bottom
as it did each Sunday. "Miss," she said, raising her
head to me, "would you please find a vase for these
flowers? Someone gave them to me, but I really do think they
need water."
"Yes, ma’am,"
I said, and headed for the little cupboard over the sink where
the vase was kept. Running the water, I watched her rise and
walk toward me, flowers in hand.
"Oh,
hello," she said when she reached me.
"Hello, Aunt
Bella," I replied. "How are you, dear?" She
looked at me for a long moment.
"Yes," she
said. "I’m Mrs. Bella Day. Do I know you?" She was
cognizant enough, twenty-three months after diagnosis, to
realize she was missing something, that I might be someone she
knew. She hadn’t yet lost her sense of graciousness, of
courtesy, and even now she tried to put me at ease.
"Yes, Aunt
Bella," I said, feeling hurt despite my understanding.
"You are my aunt. I’m your niece. Sonja. I’m
Sonja." I reached for her arm, and caressed it. She
allowed that, moving closer for a better look. We stood for a
moment, eyes engaged. I wanted to feel the moments, now lost,
when such a look would have been profound. "Sonja?"
she said. "Yes," I replied, and the flutter of hope
rose inside me. Then she looked away.
"Oh," she
said, "how ‘bout that." She chuckled and turned
back to the chair.
I finished filling
the vase and followed her back to the window. The sill was
wide and low. I placed the vase in its center, and sat down
beside it. I watched the come-and-go of little social workers,
nurses, and attendants on the walkway far below, and then
observed my aunt for a moment. Aunt Bella’s face was still
sweet, well-formed, despite the soft fine lines that wove
through it. Her white hair, never a strand of yellow in it,
was baby soft, softer even than in her younger days. She still
insisted on wearing cardigans, always in pastel colors, and
the "sensible" shoes she used to buy for herself at
Stratt’s. Now I bought them for her, and the nursing
assistants tied them each day.
"Auntie, it’s
time for our walk through the memory box." I rose and
went to the dresser.
On top was the large
mahogany box Pappy had bought for her sixteenth birthday. It
used to hold her handkerchiefs, embroidered, lacey, and
monogrammed, before the illness set in. She’d asked me to
convert it to a "memory box" as soon as she’d been
able to accept the fact of the Alzheimer’s. "I want to
hold on as long as I can," she’d told me. I don’t
know how much it had helped, but it hadn’t helped lately.
I brought the box
back to the window sill and sat down. Opening it, I took out
the photo of Uncle Bill. He was large, a great man. The photo
was her favorite, taken shortly after their marriage. He was
strong jawed, smiling, the brown fedora at an angle, the cigar
Bogie-like in his mouth.
"Who’s this,
Aunt Bella?" I asked.
She looked at the
photo and smiled. "Oh, isn’t he a nice one," she
said. "Is this your beau?" She patted my hand.
"I certainly would not let that one go, dear. Does your
mother like him?" She smiled at me. I waited for a
moment, then said, "Yes, she does, Auntie. Very
much." I leaned over and kissed her. Then I closed the
box.
I didn’t have the
heart for any more. I put the box back into place on the
dresser.
Then I came back and
sat with her, watching the sky, and the lawn, and the people
way down on the ground until the sun vanished, and nothing
else was visible.
Copyright
© 2000 M. Jane Hill
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